Juliet says:
Sunday 18th July 2010: "We’d really been looking forward to going to the Ways With Words festival at Dartington this year: so much so that we had planned to go for a long weekend so that we could attend lots of events. The best laid plans … Family circumstances meant we had to cancel at the last minute but, as I couldn’t let the WWW team down (I’ve seen the problems that causes all too often and I couldn’t inflict that on them), I had to make other arrangements. So I got up at 4am, had a driver pick me up at 5am and we then drove all the way from Yorkshire to Dartington. We’d expected masses of traffic, it being the start of the school holidays, but the roads were empty and we were sitting eating breakfast in the solar at Dartington Hall at 9.15am! Having left grey skies and pouring rain, the blazing sunshine added to the sense of dislocation, but the event went well and I sold lots of books afterwards, which is always gratifying. And I had the great pleasure of meeting the very erudite Ian Mortimer, who chaired my event (and kindly didn’t publicly pick me up when I said something stupid in answer to a question). We chatted all things medieval over a quick lunch, then it was back into the car for a much slower journey home along packed motorways. Returning to grey skies and rain, it felt like I’d never been away, let alone travelled 584 miles in the course of the day!"
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Saturday 26th June 2010: "Today was a day of mixed emotions. To celebrate Armed Forces Day we were in Halifax to watch a Freedom Parade through the town by the Yorkshire Regiment which has just returned, with losses, from a tour of duty in Afghanistan.
The boys – and so many of them were boys – received a tremendous welcome from the crowds lining the streets and then made their way to the Piece Hall to be inspected by the Vice Lord-Lieutenant of West Yorkshire and the Mayor. Afterwards, we all made our way to Halifax Parish Church (now newly christened a Minster) for a moving ceremony to lay up the colours of the Duke of Wellington’s Regiment, which has now been merged into the Yorkshire Regiment. Truly the end of a distinguished era: Halifax has always been an important recruiting ground for the regiment – in the 19th century they were still holding Waterloo dinners to celebrate the victory and the town’s connection with the Iron Duke. I’m the proud possessor of a beautiful regimental brooch, bearing the elephant symbol, which was given to me by Duke’s when I took their veterans on a battlefield tour of Agincourt a few years ago.
Next day, Sunday, we were at it again, this time attending the Armed Forces day in Leeds, where a detachment of the Rifles marched through the streets and there was a splendid concert in the Town Hall followed by a beating of the retreat outside the City Art Gallery. We even had a fly-past by a Douglas Dakota! The photo shows me with my dear friends Lieutenant-Colonel Gerry Jarrett (retd) and his wife Mary, stalwarts of the Leeds Rifles, on the steps of the Town Hall, watching the Lord Lieutenant, High Sheriff and Lord Mayor inspecting the troops."
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Saturday 12th June 2010: " Yesterday we came down to Warminster for a family get-together and a much-needed relaxing weekend. Not that there was much relaxing about a five hour journey on busy motorways, even if, as I pointed out to the uninterested members of my family as we drove through Bath, our route took us past the house where William Wordsworth and his family stayed when they came to the city for his daughter Dora’s wedding to Edward Quillinan in 1843.
Our hotel, Bishopstrow House, is lovely: a Georgian country house on the outskirts of the town which feels as though it is in the depths of the countryside.
There are deer in the field beyond the garden and classical-style follies in the old gardens beside the river, the latter reached by a tunnel built under the road in 1815 which has unusually ornate carvings in the stonework at its entrances, much like that on the archways leading into Victorian woollen mill-yards in Bradford.
Having left leaden skies and cold winds in Yorkshire, it was something of a shock to the system to find Wiltshire basking in sunshine, so today we took advantage of the weather to climb nearby Battlesbury Hill, which has far-reaching views over the surrounding hills and into Salisbury Plain (another Wordsworthian connection!).
A winding pathway took us through fields which reminded me of the Yorkshire Dales in my childhood – full of wild-flowers – and then wound gradually up the hillside to the top. It was only then that we could fully appreciate not only the panorama of undulating countryside but also the achievement of those who had created this amazing place. Battlesbury Hill is not just a natural feature but is the site of a huge iron age fortress whose double ramparts, sixty feet high, encircle its peak. What makes it even more extraordinary is that at the top of the hill, just within the ramparts, there is an even earlier bronze age barrow. Walking back down along a pathway overgrown with dog roses, with orchids hiding in the undergrowth and blue butterflies fluttering through the sunlit patches, it felt like we were in another world and time."
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Thursday 29th April 2010: For the second time in three weeks my day working as a volunteer waitress in the Granary Cafe at Caring For Life has coincided with a VIP visit. This time it is the charity’s patron, HRH The Countess of Wessex, a lovely lady who is by no means just a figure head: she takes an active interest in the welfare of the charity and the people it looks after, visiting regularly and offering advice and support. Today’s visit was to mark the official opening of a new meat room, enabling the farm to offer a greater range of meat products, including home-produced fresh sausages and burgers. The wonderful Dunbia, a family-owned company based in Northern Ireland which specialises in producing premium quality meat products, has not only trained CFL’s staff and the people they look after so they can produce the goods but also financed and built the new processing room. After opening and touring the new building and visiting the various projects on the farm, the Countess came to the café where my husband and I were helping to host a reception for civic dignitaries, including the Lord Mayor of Leeds. As usual the Countess made a point of speaking to everyone there – most especially to the young volunteers who have given a year of their lives to work for CFL – before what has become a traditional CFL send-off by all those we look after who are genuinely thrilled by her interest.
Just a few days earlier we had also been mixing with civic dignitaries when we attended the annual Saint George’s Day parade and celebrations in Morley. This is a marvellous event – the procession is led by ‘Saint George’ himself in full armour riding on horseback and the ‘dragon’, followed by all the local war veterans, cadets, scouts, cubs, brownies and various re-enactors, vintage cars etc. We follow on foot up to the local rugby ground where all the charity fund-raising stalls are set out and the Lord Lieutenant reviews the military element of the parade as a prelude to displays by police dogs, local archery groups and re-enactors. The event always raises huge sums for charities and I was especially pleased to discover that by the time I got to the Help For Heroes stall they had almost completely sold out! Having forgotten to take my camera (again) I’m indebted to Terry Grayshon for the photo of me in a superb vintage Humber, together with Judith Elliott, Lord Mayor of Leeds, and Shirley Varley, Mayor of Morley.
A dislocated thumb has made writing difficult recently so I’ve only written a couple of reviews for the Mail on Sunday: a rather dull biography of Constance Spry which raised more questions than it answered and, this week, Second Nature by Jonathan Balcombe. I was amused to see that the book jacket described him as ‘an independent animal behavior research scientist and a consultant for the Physicians Committee for Responsible Medicine’: on his website, more appropriately (as it reflects his priorities more accurately), he describes himself as ‘Author, Activist, Scientist’. A fascinating book in many ways because it reveals so much about animal behaviour, for me it was spoilt by Balcombe’s polemical approach and his lack of scientific rigour. I laughed out loud when I read that European scientists ‘discovered’ in 2008 that cattle and deer across the globe always graze and rest with their bodies aligned north-south: every single one of the cattle grazing outside my window was aligned west-east! Rather more to do with the lie of the land, I would suggest, than mysterious magnetic orientation. A pity, because Balcombe’s central thesis, that we should treat the rest of creation with respect seems entirely valid to me on purely moral grounds.
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Wednesday 14th April 2010:
When I arrived at Caring For Life last Thursday ready to do my usual shift working in the Granary Cafe I found the whole place in high excitement. The car park was full, people I didn’t know were rushing around the farm and the cafe itself was also packed – even though it doesn’t open till 10am. The reason, I soon discovered, was that we were expecting a VIP guest – Samantha Cameron, wife of the Tory party leader. (The people in the cafe were all journalists from television, radio and newspapers and it was their cars that had taken over the car park so our regular visitors couldn’t get in.) I have to confess to feeling ambivalent – to put it mildly – about CFL being used as a photo opportunity for the general election campaign. Two things won me over – the obviously genuine interest and empathy Mrs Cameron showed in the charity and its work and the fact that the people we look after liked her, which means that they too thought she was sincere. I gave her a copy of The Deafening Sound of Silent Tears, my book about CFL, together with an ear-bashing about successive governments’ disgraceful treatment of vulnerable people with long-term needs and Christian charities dedicated to their welfare.
Monday found us in Stratford-upon-Avon which, I am ashamed to say, I hadn’t visited for more than fifteen years. I couldn’t believe the extent of the new urban sprawl, particularly all the ugly tin-shed shopping centres which seem to have engulfed the town. Whether it’s their proliferation or the closure of the main RSC theatre for a renovation which has taken literally years and is still not complete, it was both shocking and depressing to see how many shops, cafes and restaurants in the centre had either closed down completely or were advertising staff vacancies. (There are still some wonderful restaurants and bistros though.) We saw a performance of Antony and Cleopatra – a play I studied for A level – at the Courtyard Theatre. Despite the valiant efforts of Darrell D’Silva, who’d had an accident on Friday, an operation on Saturday and insisted on playing Antony on Monday, even though he had his arm in a sling, I felt the entire production never really came to life. The staging was too static and the set and costumes dismal and boring – there wasn’t even a visual contrast between the sensual opulence of Egypt and the military discipline of Rome. The role of Cleopatra, which is so critical to the success of the play, is an extraordinarily difficult one to carry off successfully: she has all the weight of expectation conjured up by Enobarbus’s speech but her ‘infinite variety’ can all too easily seem simply wilful, petulant and childish rather than beguiling. The fault is largely Shakespeare’s but I was not convinced by this Cleopatra.
If Stratford had its disappointments, Oxford retained all its old allure, despite endless road-works in the High and the usual plethora of tourists. A lovely warm spring day helped as well! We were too early for the wisteria but the magnolias were just coming into bloom in all the college quads. The riverside walks at Magdalen in particular were a perfect carpet of spring flowers and the water meadows were speckled with snake’s head fritillaries. (A favourite flower of mine, not least because it grows prolifically in my garden without any assistance from me). I didn’t remember there being two white deer in the herd in Magdalen’s deer park but was glad to see that the most beautiful cloistered quadrangle in Oxford remained unchanged.
On the way home via Warwick we had lunch at The Saxon Mill which I’d visited for the first time a few weeks earlier after my event at the Warwick Literature Festival. (Fantastic food – we were surprised but pleased to discover it had the same menu as The Encore in Stratford where we’d eaten the night before – it turned out that they are sister pubs.) The mill, which is mentioned in Domesday book, still has a working water wheel, mill-race and a huge mill-pond: across the still waters of the pond you can just see the romantic ruins of Guy’s Cliffe rising through the trees. It was there that Guy of Warwick, the legendary hero of medieval romance, was said to have ended his days living anonymously as a hermit in a cave by the banks of the Avon. What an evocative place!
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Wednesday 31st March 2010:
“After so many weeks when I seem to have done nothing at all except sit chained to my desk writing, revising and editing, the last month has been a complete contrast. I’ve been on the road doing events up and down the country: it sounds glamorous but believe me it isn’t. I’ve spent hours and hours trailing along the M62, M1 and M6, stuck in endless ‘roadworks’ where literally miles of motorway is reduced to two lanes and a fifty mile an hour speed limit but no ‘work’ on the road or otherwise is visible. And it’s strange how no two events are near each other or, if they are, they’re days apart! Since my events in Hull and Keswick in the first week of March I’ve been to Cardiff, Harrogate, Kenilworth and Oxford.
It was my first visit to Cardiff (other than passing through on the train) but I was only there because of the Travel Media Association of Canada, which was holding its annual conference in the city. I was thrilled to be invited – naively thinking that I would be travelling to Canada, a country I love – so it was just my luck that for the first time ever they held their conference abroad. In Cardiff. Which is an attractive city, if you like cities, but it isn’t Canada. Fortunately the Canadians themselves were as friendly and hospitable as they always are and my shared seminar event on ‘The World in Words’ was fun – not least because I couldn’t resist the wicked impulse to begin my speech by announcing that I was very embarrassed because I felt obliged to confess that I was actually the author of all the pieces by an unnamed female travel writer which the previous speaker had shown on screen as examples of bad travel writing! There was a horrified silence before I admitted it was just a joke – but the point was that it could well have been true. You never know who might be in your audience.
On 18th March I returned to the Great Yorkshire Showground at Harrogate. It was a strange position to be held up as Exhibit A – but at least it was for the Yorkshire Post Literary Luncheon not for the Agricultural Show. In fact the guests of honour were the Mayor of Harrogate and her consort. I’d met them a couple of times before but they didn’t remember me because on those occasions I was just ‘the wife’. (Another life lesson: ignore the wife at your peril!) A couple of hundred doughty Yorkshire ladies and gentlemen who lunch turned up for the event which was chaired by the veteran YP journalist and political commentator Bernard Dineen. If there’s anything worse than standing up and addressing an audience it’s having to eat a meal first. Which was a shame in this instance as the food was excellent. I was lucky in that I had one of the other speakers, Jack Sheffield, sitting next to me: a former head-teacher he had a wealth of funny anecdotes about the children who’d passed through his Yorkshire village school. Thankfully, he was on last as following him would have been impossible. Naturally his stories brought the house down – but the subsequent Yorkshire Post article bizarrely omitted all mention of him. I suspect an editor chopped the end off the piece – just like they chopped off half my face in the photo! You can see the article and the photo by following this link: http://www.yorkshirepost.co.uk/news/Yorkshire-Post-Literary-Lunch-Author39s.6166038.
Saturday 20th March saw me in Kenilworth for the Warwick Literary Festival. No, I wasn’t in the wrong place – the festival is run by Keith and Frances who own Warwick Books and Kenilworth Books. Independent booksellers are a national treasure and they ought to be cherished for their enterprise, knowledge and staying power. We had a small but interested audience which took the opportunity to grill me at length and then bought a remarkable number of books. Such interaction is rarely possible but it is so rewarding. This festival deserves far greater support: at such a central location it should be easy to attract people from all over Warwickshire and from Coventry too. Surely it must be more fun to meet an author face to face than to sit inside watching telly! Why not take a look at their website www.warwickbooks.net and just see what you’re missing!
The following Saturday saw me retracing my steps, this time to Jesus College, Oxford, where I had agreed to talk to The Readers’ Voice Convention, a forum for representatives of reading groups throughout the country. I attended several sessions myself and was particularly impressed by the speakers who talked about their experiences setting up reading groups in prisons, among those with learning difficulties and mental health problems and in care-homes for the elderly. What came out so clearly was the value of a shared experience – even if it is just discussing a book – it prompts isolated individuals to come together, to talk and to explore their own feelings vicariously through those of the characters in their books. It was hugely impressive to learn the difference reading groups could make in bringing such people together. My own talk on the Brontës seemed pretty insignificant stuff compared to this.”
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Friday 12th March 2010:
“O dear. What a long time since I last wrote a blog! The reason being, once again, that there was nothing to report. I’ve been slogging away at the new edition of The Brontës, which proved to be a far bigger task than I’d anticipated. I’ve been working all hours God sends – and many he does not – so much so that I’ve forgotten how to sleep. However the new all-singing, all-dancing revised edition was delivered to my publisher at 11.30pm on 28th February: exactly half an hour before my deadline expired!
So it was with a wonderful sense of release that I finally got out of the house for a talk to some 300 members of the Hull Literary and Philosophical Society on 2nd March, followed by one of my favourite literary festivals, Ways With Words at Keswick on 9th March. We travelled up through the Dales to the Lakes on a blissfully balmy spring morning: the sky a perfect unblemished arch of blue,
the mountains crowned with snow circling the horizon and tiny lambs skipping in the fields below. After weeks of being snowed in when every attempt to get out was a major struggle it was good to see the snow where it belongs – on the hill-tops. Walking down the quiet country lanes round Keswick everything looked as though it had been spring-cleaned: the holly a burnished dark green, undulating drifts of pristine white snowdrops, even the moss covering the walls and stones seemed a more brilliant shade of emerald.
We stayed, as usual, at my favourite hotel: it’s family run and has friendly staff, superb food and fantastic views – all enhanced by the opportunity to meet and have dinner together with the other authors. (It’s funny how whenever a group of writers get together they always end up talking about money.) No surprise, then, to find that Ways With Words has not only a loyal following among its audiences but also among its authors. Kay and Steve, (pictured with me after my talk at the Theatre by the Lake) are always so welcoming and hospitable that everyone wants another invitation. Where else could you meet such a diverse group of people – Gervase Phinn, Michael Buerk and Eric Lonergan – all of whom share a passion for words and ideas? The Theatre by the Lake is a superb venue too: literally yards from the shore of Derwentwater but sympathetically built in traditional grey Lakeland stone and slate and screened by trees so you’d hardly know it was there. It’s not one of these dreadful in-your-face modern buildings that are an affront to the eye but it makes just as powerful a statement, only through the facilities it offers rather than its appearance. Lakeland is lucky to have such a venue and even luckier to have its annual Ways With Words literary festival. Kay and Steve – please will you invite me again?"
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Saturday 23rd January 2010:
“A somewhat belated first blog for the New Year – mainly because there has been nothing to say. I’ve been working steadily on my revision of The Brontës and, until last Monday, I was completely housebound: the huge snowfalls we’ve had on a regular basis since before Christmas have just kept on coming. Christmas Day with snow-covered hills and trees was wonderful: New Year, when no one could get to us because the roads were impassable, was not so wonderful: and after two weeks of being literally frozen in (ice on the insides of the windows as well as outside) we were all heartily sick and tired of the snow. The thaw began last weekend and, though there are snow-filled hollows on the moors and it’s still ‘ligging under t’walls’ as they say here in Yorkshire, (which means there’s more to come to take it away), last Monday I was finally able to get out of the village. Which was fortunate as I had to be in London on Wednesday night and in Norwich on Friday morning.
I loathe London – I can’t bear the noise, the crush of people, the traffic – but this was an occasion I would have bitterly regretted missing: dinner in the House of Lords with General The Lord Guthrie of Craigiebank, who was Chief of the Defence Staff 1997-2001, and his wife. It was a fascinating evening which, I’m ashamed to say, also included my first visit to Westminster Hall (it smelt just like Duke Humphrey’s Library in the Bodleian). What a privilege to dine in such company and surroundings – and raise money for a good charitable cause in the process.
I didn’t feel very privileged on Friday when I had to give a talk in Norwich. I’m always consumed by nerves beforehand – I’m terrified of letting people down by not living up to expectations – and as the last speaker of five I had plenty of time to worry, especially as the other talks were so interesting that they were going to be a hard act to follow. The symposium was in the beautiful medieval church of St Peter Hungate, which was largely rebuilt in 1460 by Sir John Paston, of Paston letters fame. As you can probably tell from the photographs, however, it was also bitterly cold. I don’t often lecture wearing my coat and scarf but this was one occasion when it was absolutely necessary! The symposium had been arranged by Richard and Nina Kendrick for the thirteen-year-old pupils of Town Close House School who were an absolute pleasure to address: bright, interested and – despite the cold – full of enthusiasm for their subject. And some of their questions were more intelligent than those I get from adult audiences. The very first one floored me: ‘Did the English win Agincourt or did the French lose it?’ That’s one young man who will go far!
I left Norwich with two regrets: that we’d run out of time to answer all the questions the children wanted to ask and that I had to dash off to catch my train so missed a guided tour of the medieval Great Hospital. Which means I’ll just have to go back again!

The pictures, taken by Paul King, show me with some of the other speakers: Dale Copley, manager of St Peter Hungate Medieval Art Centre, Carole Rawcliffe, Professor of Medieval History at the University of East Anglia, and Ian Pycroft, a medievalist and re-enactor, whose authentic medieval garb, as I pointed out to the children, meant that he was the only one who didn’t feel the appropriately sepulchral cold of the church.”
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Thursday 31st December 2009:
“It appears to be obligatory for most newspapers at the end of the year to look back and pick out the outstanding books published in the previous twelve months. I can’t imagine who bothers to plough through all the recommendations – other than authors desperately hoping that their own books have been selected (thank you Daily Telegraph and Sunday Times!) – but I thought I’d add my own two penn ‘orth in my final blog for 2009.
My favourite history book of the year was Ian Mortimer’s 1415: Henry V’s Year of Glory (Bodley Head), a clever reworking of the period sources presented in a roughly day-by-day fashion to create a diary or calendar of the year. Like the best diaries it is full of real insights: the sort of minutiae I love drawn from royal financial accounts but also an acute awareness of the impact on daily life of the social and especially religious rites of the church festivals. The format doesn’t always work and I disagree profoundly with Mortimer’s assessment of Henry’s character but it’s a fascinating and illuminating study of an extremely important year in European history.
For me, however, the truly outstanding book of the year was a novel. This is surprising in itself, given that, although I enjoy fiction, I rarely get time to read it. What is even more surprising is that it is a novel about the Brontës. As a biographer I am usually hugely irritated by attempts to tell the Brontë story infictionalised form: I’m annoyed by the author’s lack of knowledge or understanding of the people and period and infuriated by the lurid sexing-up the Brontës’ lives in a misguided attempt to explain the power and passion of their fiction. (Whatever happened to imagination!!)
I confess when I first saw Jude Morgan’s The Taste of Sorrow (Headline) my heart sank: the title itself suggested yet another Mills and Boon treatment and after reading the first page (sex on the first page must be a record even for a novel about the Brontës!) I gave up in disgust. But then I was stuck on a train with nothing else to read and so I picked it up again and was forced to change my view completely. This is quite simply the most wonderful fictional evocation of the family, especially Charlotte, I have ever read. Morgan avoids both the pitfall of using sub-Hollywood dialogue of the ‘Good morning Miss Brontë! Good morning Mr Dickens!’ variety and the straitjacket imposed by relying too heavily on the Brontës’ own autobiographical writings. Indeed, he has no need to, for he has a wonderfully poetic command of language himself – and the ability to empathise so closely with his subjects that he brings them convincingly and vividly to life. The Taste of Sorrow is a brilliant book and one that should have been chosen by every single reviewer as one of the highlights of the publishing year. Make it your New Year’s Resolution to buy, beg or borrow a copy.”
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Saturday 12th December 2009:
“For the last couple of weeks I have been immersed in preparing a new edition of The Brontës and it has been a rather strange experience. It’s not just that it’s now fifteen years since the book was first published and that for more than half that time I have been researching and writing about the medieval period: it’s that it has meant returning to work in the Brontë Parsonage Museum library – something I last did in 1989 when I left my post there after six years as curator and librarian. Much as I enjoyed my job, however, it is infinitely preferable to be on the other side! And exciting though it was to see the latest acquisitions, especially Charlotte’s exquisitely detailed miniature pencil drawing of the Wellington monument (a mere 74mm by 54mm in size) and a page which was not much larger from the manuscript of her little book Anecdotes of the Duke of Wellington, it was also gratifying to discover how little new material has emerged since my biography was published.
One new discovery which has recently received much media attention is a Bible which was featured on the BBC’s Antiques Roadshow on 27 September. The owners believe that it once belonged to the Brontë family and that Charlotte was responsible for numerous hand-written annotations on its pages. The show’s experts apparently agreed with them and, as a consequence, valued it as being worth £10,000 or more. I didn’t see the programme but many of you who did have contacted me to ask if it really is a genuine item. What I have seen is copies of the annotated pages and I can categorically state that the hand-writing is definitely not Charlotte’s, nor indeed any other member of the Brontë family’s: other Brontë scholars such as Margaret Smith and Christine Alexander, who were also consulted, are of the same opinion. Even if it were a genuine item, the valuation is way too high.
Today I was back in Haworth again, this time to film an interview. I arrived to find the Parsonage shrouded in bitterly cold, dank fog. A typical Brontë day, some might think, though the subject we were discussing was not. How did the Brontës celebrate Christmas? The simple answer is we do not know: apart from a poem by Anne celebrating music on Christmas morning and Mrs Gaskell’s passing reference to the recently married Charlotte and her husband taking a spice-cake as a gift to an elderly parishioner on Christmas Day, the biographical record is remarkably blank. Attending church would have been obligatory for the parson’s children but their novels suggest that the usual festivities were not neglected. There is goose with apple sauce for Christmas dinner at Wuthering Heights, not to mention dancing and carol-singing when the Gimmerton band arrives. And Jane Eyre’s preparations for her cousins’ return to Moor-House suggest first-hand experience: the ‘cleaning down’ of the house from top to bottom, laying fires in every room and the ‘solemnizing of … culinary rites’ including making Christmas cakes and mince-pies. It’s surely significant, though, as I pointed out to Mike Harding (pictured above) who interviewed me (in the Parsonage Dining Room of course!), that as children both Heathcliff and Jane Eyre are excluded from the family Christmas celebrations in their respective households. The interview, which is for a dvd on Christmas in Yorkshire, will be available next year.”
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Saturday 28th November 2009: 8am.
“It was bitterly cold this morning when I got up at first light to let out and feed the hens: my hands were so cold I could barely unlatch their pen. Now, as I sit at my desk looking out of the window, it is just starting to snow. Not the huge feathery white flakes which signal the sort of snowfall which, at least once a year, cuts off our Pennine village by blocking its steep and narrow roads, but a grey sludgy sleet. At least it makes a change from the rain which has poured relentlessly for the last couple of weeks, saturating the ground and causing new springs and waterfalls to burst out from the hillsides in unexpected places.
It was also raining two weeks ago when I was in Southwold for the Ways With Words Literary Festival. So much so that I had to run between the Swan Hotel and St Edmund Hall dodging the puddles and with my coat over my head as it was far too windy for an umbrella. Expecting to find that most people had taken the sensible option and stayed at home I was therefore amazed to find a packed hall and a hugely appreciative audience whose questions I might still be answering even now had we not been forced to bring the event to an end so that Michael Buerk could take to the stage. And what a performance he gave! He had the audience in stitches with his ‘grumpy old man’s rant’ - but it was also a depressingly accurate summation of the state of society today. And, as my husband and I discovered in conversation with him in the bar afterwards, despite his remarkable career he remains an utterly charming and unpretentious man.
One of the great pleasures of attending a Ways With Words festival is that you get to meet both other authors and the literary aficionados whose stamina in attending event after event never fails to astonish me (You have to be prepared for an inquisition at breakfast from those who have attended your talk!) It was a particular thrill for me to meet Jane Gardam, (pictured left) the novelist who was one of the first reviewers of The Brontes: I knew that her son is the principal of my old college at Oxford, but we discovered a further mutual connection in Kirkby Stephen, the Westmorland town where she had a holiday home for many years and where my mother’s family came from. We continued chatting together as I signed books after my session. And as I did so one of the audience, Mark Fairweather, told me something I didn’t know (how typical of Southwold!) I’d told the story of a Norman gentleman who was saved from execution by a young girl offering to marry him: Mark told me that this French tradition was still in practice in eighteenth century Quebec and referred me to a Margaret Atwood poem called ‘Marrying the Hangman’.
Next morning there was just time between the gathering rain clouds to grab a brisk walk along the promenade before we had to set off home: actually, as you can see from the photo, it was more of a battle with the elements. We keep promising ourselves that one day, other responsibilities permitting, we’ll join the audience and spend a whole week at the Southwold Literary Festival – though I confess that I’ll probably have to sneak away to explore all those exquisite Suffolk churches glimpsed as we passed through villages which exert an equally powerful siren call."
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Thursday 12th November 2009:
“I have to confess that most of my heroes since childhood have been historical ones. On Tuesday, however, I met a man who has a better claim than most to be a living hero: the soldier, explorer and adventurer Sir Ranulph Fiennes (pictured far left), whose many achievements include being the first man to have crossed both poles by land and climb the world’s highest mountain Everest: in the process he has raised over £14 million for charity. Sir Ranulph can trace his family back forty-one generations and has discovered that he had ancestors on both sides of the Hundred Years War. He was the guest on BBC Radio 4’s new series of Great Lives and he had chosen one of them, Henry V, as his inspirational hero: I was invited on the programme as an expert on the king. We talked about why Henry was – and still is - regarded as one of the greatest kings ever to have ruled England and in the impassioned discussion that followed it emerged that for Sir Ranulph it is Henry’s military leadership that makes him a hero, whereas I probably value at least as highly his administrative abilities and determination to do justice to all. Sir Ranulph spoke movingly about how the men who had served under his father, who was killed in action before he was born, revered his memory because, like Henry V, he had led from the front and endured the same privations as them. You can hear the programme on Radio 4 on 8 December at 4.30pm: it’s repeated on 11 December at 11pm and will be available to listen to again on the BBC website. The photo shows Sir Ranulph and I standing either side of the programme’s presenter, Matthew Parris, in the recording studio at Broadcasting House in London
The BBC – and indeed Radio 4 – also played a pivotal role in my life in the late 1980s when I was one of a very closely knit team of people who recorded two series of a programme called ‘Take a Place Like …’.
We would visit towns throughout the UK to discover what made each one special and different: I was the historian, John Grundy the architectural historian and Stanley Ellis (pictured left) the dialect expert. Together with the producer, Geoff Sargieson, and sound recordist, Graeme Aldous, we had an absolute ball visiting places as diverse as Beccles and Goole, Peel and Leith. It was fascinating to discover all the eccentricities of each place and to learn so much about not just the past but also the present. It was also the most enormous fun, not least because as a team we shared the same sense of humour: I don’t think I have ever laughed so much in all my life as during the two years we recorded the programme. We’ve all remained friends and stayed in touch but today we marked the breaking of the circle. Our dear old friend (we always called him ‘the old man’) Stanley Ellis died, aged 83, on 31st October and we met again at his funeral in Harrogate. Stanley had a genius for friendship with old and young but he was also the leading authority on dialect who, as a young man, had toured England recording elderly people talking about their way of life for what has now become the internationally renowned archive The Survey of English Dialect at the University of Leeds. In the process he acquired an encyclopaedic knowledge of not just dialect but the derivation of names and development of language: he could place an accent to within a few streets of a town – as he did most successfully in the case of the hoax Yorkshire Ripper tapes – and was an expert forensic witness in many trials. He was often asked ‘where do I come from?’ by people wanting to test his skill as if it were a party trick: to which, with his usual dry wit, he would reply, ‘Why, don’t you know?’ We teased him mercilessly: setting him up after a well lubricated dinner to record ‘The Leith police dismisseth us’ outside the Leith police station and we were wonderfully rewarded on one glorious occasion when he asked a waiter ‘What part of Germany are you from?’ only to be told ‘Portugal’. We all loved him dearly and he will be sadly missed.”
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Friday 23rd October 2009:
“10.30 am. William Wordsworth certainly knew how to choose the perfect site for a house. This morning I’m sitting for the last time in the bow-window of the old library at Lancrigg, the charming farmhouse in Easedale that his friend, Elizabeth Fletcher, bought and refurbished on Wordsworth’s advice. Framed by autumnal trees the view across the valley could almost be a picture-postcard: in the middle distance a stone bridge straddles the beck which runs through the green fields where sheep as grey as the rocks are grazing; beyond them, rising from a sea of rusty-brown bracken, soar the craggy stone outcrops which give the Lakeland fells their distinctive horizons.
My husband and I have been staying here for a few days while both our children are away: it’s an opportunity to go walking and revisit the places we grew to love when I was writing my biography of Wordsworth. For the final year of my research I spent two days every week in the archives of the Wordsworth Trust at Grasmere. I’d drive up from the South Pennines early on Monday morning so that I could be on the doorstep when the library opened at 9.30am, work through till it shut in the evening, stay overnight at How Foot, get up early the next morning to go walking before breakfast, then spend all Tuesday working in the library again, driving home again when it shut. For five weeks during the summer, (when it rained virtually every day as my children never cease to remind me), the family stayed with me in the Lakes while I worked every hour the library was open. Exhausting – but worth it for the vast amount of unpublished material I was able to incorporate into my biography and for the opportunity to get to know intimately Wordsworth’s beloved Lakes which shaped and informed his poetry.
Charlotte Brontë said that her sisters’ poetry always came line by line into her head whenever she walked the moors round Haworth: the same is true for me of Wordsworth and the Lakes. The day we arrived we took one of Dorothy’s favourite walks up Easedale, her ‘dark quarter’, past the heart-shaped sheep-fold at the foot of the wonderfully and perfectly named waterfalls of Sour Milk Ghyll to the tarn in the hollow of the hills at the head of the dale. Naturally it rained most of the way. It’s a curious thing about Lake District rain: in my part of Yorkshire the wind drives the rain so hard and at such an angle that it is like being on the receiving end of a volley of arrows at Agincourt. Here it has an insidious quality: it appears to be soft and mist-like (mizzling we call it in Yorkshire), but almost without you knowing it, it permeates everything you’re wearing till you are soaked to the skin and chilled to the bone.
Fortunately, the next two days were dry. On Wednesday, after buying and posting emergency rations of Sarah Nelson’s inimitable Grasmere gingerbread to our children (and keeping some for ourselves!), we walked the circuit of Grasmere Lake and Rydal Water, with a small detour to John’s Wood where William and Dorothy’s brother, captain of an East Indiaman, used to pace up and down, the wind in the trees reminding him of being at sea. Taking the so-called ‘coffin route’ from Grasmere, we climbed over White Moss Common, where I always like to imagine Wordsworth’s Leech-gatherer at work, to *Rydal Mount, the Wordsworth family home for 46 years, which lives and breathes the poet, who created the house and gardens there, in a way that makes his better-known and much briefer home at Dove Cottage seem sterile. After a quick coffee in the excellent new garden tearoom and a visit, at the insistence of my friends Peter and Marian, the custodians there, to see the newly acquired paperknife which, uniquely, incorporates in the handle locks of hair belonging to William, his wife Mary and their daughter Dora, we followed in the footsteps of one of the Wordsworths’ favourite walks round Rydal Water, where there are still swans as there were in their day, and over Loughrigg Terraces back to Grasmere and Easedale.
*Link to Rydal Mount http://www.rydalmount.co.uk
Yesterday, our last full day in the Lakes, we dedicated to perhaps the most evocative of all the walks associated with Wordsworth: Grisedale Tarn. It was at this remote spot on the flanks of Helvellyn, some 1800 feet above sea-level, at the foot of the still black waters cupped in the bowl where Fairfield, Dollywagon Pike and Seat Sandal meet, that William and Dorothy parted with their brother John, who was returning to sea to win them all the fortune that would enable him to retire to Grasmere and relieve his brother of the financial worries that threatened his future as a poet. John would never return, going down with his ship when it sank in storms off the Isle of Portland on 5 February 1805. On the rock where they parted are carved some of Wordsworth’s wonderful lines from ‘Elegiac Verses in Memory of my Brother’, composed several months later at this very spot. The lettering has been virtually obliterated by wind and rain and the rock itself defaced by a crude metal sign stuck on a post rammed into the top with all the subtlety of a cocktail sausage on a stick. Even so, knowing the poem and standing where they once stood, looking out over the dolls-house scenery of Patterdale far below, with the dull gleam of Ullswater in the distance, I find it impossible not to feel the emotion that haunts the place. I love the Lakes for their exquisite beauty in all seasons but Wordsworth’s poetry adds a dimension which touches the very soul.

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Monday 12th October 2009:
“There are times when my life seems utterly bizarre and this last week has been one of them. Last Monday I found myself being waited on hand and foot at a small dinner party in an exquisite medieval castle which had once belonged to a veteran of Agincourt; what made this wonderful experience utterly surreal was that a fellow guest was the Princess Royal.
Three days later there I was doing what has become my usual shift working as a volunteer waitress at the Granary Café, run by Caring For Life (www.caringforlife.co.uk ), a charity which cares for vulnerable and homeless people. Lots of people – some of them from many miles away – were bringing their harvest offerings to the farm, helping to provide literally thousands of meals for those whom the charity supports on a daily basis. Since many of the harvest-bringers chose to have breakfast, lunch or afternoon tea in the café before they returned home we were run off our feet all day. I couldn’t help wondering what some of those I had served would have felt if they had known what I had been doing just a few days earlier! Or if they had known that just a few days later I’d be dining with Oleg Gordievsky, the former KGB chief who became a double agent and made a dramatic escape to the West in 1985. Anonymity is a wonderful and precious thing!
Gordievsky was, like me, appearing at the Cheltenham Literature Festival which grows bigger and better every time I visit. Unfortunately, our events on the Sunday evening clashed so, while he was regaling a large audience with his exploits in the main hall, I was sitting on a stage in a tent with Erica Wagner, the literary editor of The Times, and William Dalrymple, the flamboyant author of White Mughals and The Last Moghal. A small but select group had gathered to hear us discuss The NovelList, the 60 favourite novels of Times readers published since 1949. Both of my fellow panellists were far more erudite than me and familiar with most of the books on the list. I’m ashamed to say I had read just 7 out of the top 20 – but then as it was favourite novels, rather than best novels, it was rather an eclectic list. Top of the poll was To Kill a Mocking Bird, which was fair enough I suppose, but second was Ken Follett’s The Pillars of the Earth. Surely not a book you’d really choose over Catch-22, Lord of the Rings or The French Lieutenant’s Woman? And why was there no Daphne du Maurier or Laurie Lee (if they could include Frank McCourt’s Angela’s Ashes why not A Moment of War my favourite work by Laurie Lee?) I was even more disappointed that my own choice, T H White’s The Once and Future King, which I’d championed in The Times
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article6825116.ece didn’t even make it on to the long list. You can see what you think about the choice of books by looking on the same link at article6866488.
Thanks to the Summerfield Trust, a sponsor of the Festival which is celebrating its 20th anniversary of grant-giving in Gloucestershire, I didn’t have to spend my evening in my hotel room staring at the wallpaper and dining on room-service. Instead, I had a most enjoyable evening in the convivial company of, amongst others, Lavinia Sidgwick, the lovely lady who was to chair my event the next day, Martin Davis, one of the first trustees, and Henry Porter, the novelist and political commentator. I didn’t dare speak to Oleg Gordievsky, the guest of honour, any more than I had summoned up the courage to talk to the Princess Royal. But at least I was there!
Next morning was The Big Event: my first talk about Conquest. I was up at 6 am revising my speech, having just learned via a text message that the cd-rom with the illustrations had not arrived. By 9 am I was sat in the Writers’ Room, trying to keep my nerves at bay by writing my notes out yet again. (I couldn’t help noticing as I sat there that the first thing every writer does on arrival is scan the room for someone famous – I’m guilty of it myself – but it’s usually disappointing. The only person I recognised was Sandy Toksvig, whom I passed in the corridor.) By 9.30am it had become plain something was wrong as no one had turned up to meet me. Than I discovered that I was in the wrong writers’ room: I should have been at the Everyman Theatre where an increasingly worried Lavinia was wondering what had happened to me. A quick scuttle across town to the Everyman left me with time barely to catch my breath before it was on stage and launching into my talk.
Fortunately it all went incredibly well. The Cheltenham audiences are always appreciative and quick to respond. They also ask lots of interesting questions – though I was floored by one lady who asked (apropos of the similarities I had pointed out between the conduct of the war in France and the current war in Afghanistan) why we never learn from our mistakes. It was especially gratifying to talk to so many people who bought books afterwards – most of all the two stagehands who had listened from the wings and were so taken by the subject that they decided to buy the book!
The question I was asked most often by those buying the book was ‘what are you going to write next?’ The new edition of The Brontës is my next project but then what? I’m not sure, though I had a fruitful discussion back in the Writers’ Room with my editor, Tim Whiting, of Little, Brown, who’d travelled up from London to come to my event. Certainly something medieval. Possibly the Wars of the Roses? Or possibly a more general book on knighthood? We shall see.”
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Sunday 27th September 2009:
“A very busy week, top and tailed by my first literary events in the build-up to the publication of mynew book Conquest. Last Sunday it was the Independent Booksellers’ Forum Annual Dinner at Warwick University.It’s always a terrifying prospect speaking to a vast room full of people you don’t know – and special thanks are due to Helen from Bewdley Books who very kindly took pity on me as I stood forlornly wondering where to start as the crowds gathered before the dinner. Commiserations are also due to the poor man who had to sit next to me at dinner as my moment in the spotlight approached and was stricken with nerves.There were seven authors speaking, two between drinks and starters, three (of which I had been allocated the middle slot) between starters and mains, and two between main course and dessert. We had all been told in no uncertain terms that we had 3 minutes to speak – so after the first speaker spoke for 20 minutes and the next for almost as long I started to panic. Three minutes was what I had prepared and 3 minutes was what they were going to get! But as everyone else before me went well over the time-limit, my 3 minutes began to look like short-change. And having wound myself up for my slot, I couldn’t believe it when the speaker after me was introduced first and I had to sit there for another grim 10 minutes or so, thinking I might have been left out altogether, before it was finally my turn. I hope my contribution was interesting and entertaining – it was certainly the shortest by a long margin!The highlight of the evening for me was the after-dinner speaker, Gyles Brandreth,
a natural performer if ever there was one, with a host of very funny quick-fire one-liners at his finger-tips: the jokes came so fast and furious that it was almost impossible to catch them all.
Last night I swapped my medieval hat for my Brontë one and went to Dewsbury to celebrate the bi-centennial of the arrival in Yorkshire of the Reverend Patrick Brontë. There was a special resonance to the occasion in that the event was held in Dewsbury Minster, the very church where Patrick himself had served for 16 months as curate to the Reverend John Buckworth – the rest, as they say, is history.
I always think Patrick is one of the most unjustly maligned people in the history of English literature so it was a pleasure to have the opportunity to sing the praises of this remarkable man before a packed audience. The best part of such events for me is always the question and answer session at the end – at least I know I’m telling the audience what they really want to know! – and this was no exception. We had lots of interesting questions from a clearly knowledgeable audience and I hope a good time was had by all. Afterwards I had an all too brief tour of the splendid exhibition on the life and times of Patrick Brontë in Dewsbury which is on display in the Minster until 17 October. I hope it finds a permanent home in the town: it deserves one." (Photos by Joanne Catlow)
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Saturday 12th September 2009:
Today was an extraordinary day. Not just because for the fourth day in a row we woke up to cloudless blue skies and glorious sunshine – a brief taste of the summer we’ve never had this year – but because it was a highlight in the calendar for one of my favourite causes: Harvest Thanksgiving and Supporters’ Day at Caring For Life.
I became involved in this wonderful charity over five years ago and was so impressed that I wrote a book about them (The Deafening Sound of Silent Tears). Once you’ve actually been there and seen the work they do with people who have been rejected by everyone else in society – including government agencies supposedly there to help – it’s impossible not to be drawn in. The people who are cared for come from all sorts of backgrounds: many have been severely abused, have learning difficulties and/or mental or physical health problems. As a result many have fallen into crime or homelessness. CFL – uniquely – promises to look after them for life and its network of dedicated staff, volunteers and supporters provide the family that most of them have never had. Despite their tragic backgrounds, visiting CFL is always an uplifting experience: it feels wonderful to me to belong to such a tightly knit and caring community. How much more so for those poor souls who are cared for, I cannot begin to imagine.
It was my privilege to hand out the certificates of achievement to the ‘young’ people. (They’re still affectionately called ‘young’ from force of habit though most are now well into middle age.) To see the pleasure that these awards give to the recipients is overwhelming: some of the achievements might seem minor but each individual who has taken a small step on the literacy or arts programmes, or taken responsibility for looking after some of the animals on the farm, has made an enormous stride on the path towards self-respect and becoming integrated into a community that really cares.
What I really love about doing this is when some of the young people are so thrilled by the award and the applause from supporters that they grin from ear to ear, proudly display their certificates to the crowd and (if I’m lucky) give me a great big hug. I’m always careful with new people I don’t yet know just to shake their hand, in case they have Asperger’s or autism and dislike physical contact, so the real highlight for me was when one young man, at least six foot tall, seized me in a bear hug, enthusiastically clapping his hands behind my back, and wouldn’t let me go! It’s moments like these that are both humbling and precious: such a little thing can mean so much.
In the evening we celebrated achievement of a very different kind. I’ve long been a fan of the redoubtable Dame Fanny Waterman, the founder and mainstay of the Leeds International Piano Competition. Apart from the fact that she is one of the very few people who actually makes me feel tall, I admire her enthusiasm, her indefatigable energy (at 89 she has far more than I do) and her perfectionism. My husband had been to many of the early rounds of the competition over the last three weeks: I only got to a few sessions but it was good to see some of the people I’d seen going through to become one of the six finalists, each of whom played a concerto in Leeds Town Hall with the Hallé Orchestra conducted by Sir Mark Elder.
Tonight was the last evening of the competition when the results would be announced. How the judges decide I do not know. I always find it especially difficult to distinguish between my appreciation for the pianist’s talent and my preference for the actual music they play: if it’s a piece I love then I’m instinctively drawn to the player. There always seem to be two or three who deserve to win – but how to rank them when their ages can range from 14 to 29 and they are all playing different pieces? At least this time three of the six had chosen to play the Beethoven Emperor concerto – it never having featured in a final before! Even I could tell which were the better performances when comparing like with like, but the audience jury was certainly out over who would be the eventual winner. It was a close-run thing but in the end the first prize went to the 29-year-old Russian Sofya Gulyak– the first female winner in the twenty-year history of the competition – vindicating the comments made to me earlier by one of judges that technical brilliance (which even the youngest competitors have in abundance) is not enough: the music has to be felt from the soul. You have to know and understand what the composer himself was feeling when he wrote it – and that is a quality which only age and experience can bring. Or a good biography, as I was tempted to correct him!
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Tuesday 1st September 2009:
9pm - "We’ve been home for a week, it’s poured with rain every day and I haven’t been able to get warm at all. Arrived to find Urgeon the Sturgeon had died and Buffy had lost her tail feathers. There was a mountain of post and e-mails, including the proofs for my article on the medieval laws of war for the October issue of the BBC History Magazine and a request for 300 words on my favourite novel of the last 60 years for The Times (see articles). The choice for the latter is easy – it’s always T. H. White’s brilliant The Once and Future King but the deadline was 36 hours away, there was no food in the house and, crucially, daughter’s exam results due on d-day itself. Fortunately they extended the deadline and I delivered the article by e-mail this morning (how different from the days when I had to slog two miles to the nearest post-box!), so it should be published on 7th September."
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Tuesday 25th August 2009:

"Today the Venice idyll ends as we reluctantly
return home to reality. People
often ask us why we keep coming back here – and I can’t count the number
of times I’ve met visitors sitting by the pool because, they say, they’ve been
to Venice before and they’ve ‘seen everything’ so there’s nothing else to do. ‘A
couple of days is enough’. I never
tire of the place and I can always find something to do. I love to go walking
in the cool of the early morning, before the sun gets too hot and the crowds of
day-trippers start pouring in. (It’s a surreal sight to watch the cruise ships
sailing up the Guidecca Canal: they are so vast that Venice seems Lilliputian
by comparison and the biggest ones obliterate all but the campanile in San Marco
as they pass.)
Even
when San Marco is heaving with tourists, however, it only takes a few minutes
to leave the hordes behind and you can wander through the narrow streets and
along the picturesque canals for hours without encountering more than a handful
of people, most of them the diminishing number of Venetians who still actually
live in these quieter regions. The architecture might not be as grand as the
civic buildings of the San Marco district but you still come across Gothic
palaces in deserted piazzas, charming walled gardens beside quiet canals,
wall-panels carved out of stone or marble advertising the business of a
long-forgotten medieval proprietor and red-brick churches spared the vulgar
baroque facades and interiors of more fashionable areas.
Each
of the six sestieri or districts of Venice has its own character – and
its own house-numbering system which applies to the whole district rather than
each street – and we particularly like to explore the Cannaregio, the
Castello and the Dorsoduro. Every time we do we find something we haven’t seen
before. (Last year my husband stumbled across the BBC filming Little Dorrit.) This year, in addition to the Arsenal, it was the delightful
piazza next to the unspoilt medieval church of San Giacomo del Orio in Santa
Croce and a row of classical-style busts of Africans, their heads carved out of
black marble, perched on top of a high wall behind the Dogana.
Every year, too, one of the great treasures of Venice re-emerges triumphantly from behind hoardings and scaffolding while another is shrouded up in preparation for restoration. We always used to admire the way the hoardings depicted the building behind them; it seemed a civilised way of allowing the work to go ahead as unobtrusively as possible. Not any more. The new mayor has decreed that they should be sold off for advertising so last summer, just as we were leaving, we saw the incongruous sight of vast adverts for cars (of all things! in a city of canals!) being plastered round the Bridge of Sighs. We had hoped this was a temporary desecration but this year they’ve given way to adverts for Coin supermarkets and Swatch watches, and the pernicious trend looks as though it is spreading to other sites too. The only appropriate response to such desecration is to boycott the advertisers and shame them into removing them. My campaign starts here!"
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Sunday 16th August 2009:

11.30pm - "A
perfect day. We all got up early
and took the boat to the Piazetta. From there we walked through the deserted
backstreets of San Marco and Castello, where a kindly Venetian, seeing us map
in hand, assumed we must be lost if we were wandering through Castello and
insisted on directing us to the Arsenal. As it happens, that was our
destination, but not, as he thought, because we wanted to see the Biennale
exhibitions of modern art, but because we wanted to see the Arsenal itself. In
all our years of coming to Venice we’ve never got beyond the twin brick towers
guarding its entrance as it is a restricted military zone. The Arsenal was the
powerhouse of the Venetian republic: it was where the great ships carrying
merchandise to and from every corner of the world were built and repaired. Its
size and technology were the wonder of medieval times. So, charming though it
was to see the towers and walls from the outside, just as Canaletto had painted
them, it was very frustrating never to get beyond them.
Today was our
opportunity – and how exciting it was, not least because it felt as
though we were doing something illicit just being there. Ignoring the exhibits
(difficult to tell sometimes whether they were meant to be art or just the
detritus left behind by workmen – though there was one clever piece
depicting sunbeams made out of long thin cages of golden filigree) we marvelled
at the sheer length of the old rope factory, with its balconied walkways up
above, the marble arches of the ancient docks which looked more like elegant
porticos than a working site and the huge waterways enclosed within the Arsenal
walls. It is astonishing that such an evocative place is left deserted and
semi-derelict: industrial architecture it might be (and I was proud to see an
innovative 19th century crane built by the Armstrongs of Newcastle
at the waterside) but it is still fascinating and has charms of its own. Unlike
the modern art displayed within its precincts.
After several hours of
exploration we were so exhausted that we had to return to the hotel for showers
and a rest, then back into Venice for an early dinner at one of our favourite
restaurants, Ai Barbacani, on the appropriately named Calle del Paradiso in the
Castello district. Tucked away in a backstreet, with a single balcony opening
on to a side-canal, it’s been family-run for over thirty years, serves
traditional Venetian food and wine and is (unusually for Venice) always
friendly and welcoming. And even more unusually for Venice, it’s also good
value, which is always a plus for a Yorkshire woman like me.
By 8.30pm we were sitting
in the Palazzo Barbarigo-Minotto on the Grand Canal, one of our discoveries a
couple of years ago. This is a private palazzo but it hosts several nights of
opera a week. Tonight we’ve chosen La
Traviata (again): just the three principals, Violetta, Alfredo and Germont,
with an orchestra of five, but each of the three scenes played out in a
different candle-lit room: a grand hallway, a salon and a bedroom. La
Traviata was premiered in Venice in 1853 and there’s something absolutely
magical about sitting in the intimate surroundings of the decaying splendour of
a palazzo listening to glorious music beautifully sung by professional opera
singers. (The intimacy can be a disadvantage when they hit the high notes at
full pelt when they are literally just a couple of feet away from you!)
To end a perfect day we
wander out into the warm night air and head for San Marco for a night-cap at
one of the cafés. What could be better than sitting in the piazza, with your
back to the Napoleonic intrusions, looking up at a flood-lit basilica and
Doge’s Palace, drinking a glass of Bianco di Custoza, listening to the
orchestras and imagining the crusaders in exactly this same spot in 1204?"
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Wednesday
12th August 2009:

7am -"Just a few days later and here I am again, sat on
a terrace in the warm sunshine enjoying the peace and quiet before the bustle
of the day begins. This time, however, I’m over a thousand miles away, on the small
terrazzo of our hotel: on one side of me is the white marbled facade of the
church which once served the community on this little island; on the other is
the wooden jetty, bobbing up and down between its distinctive red and gold
striped mooring-posts. From here I have a perfect view of the panorama of
Venice unfurled like a painted backdrop from some fairytale theatrical
production across the calm green waters of the lagoon. There is always a sense
of unreality in Venice and never more so than seeing it like this – through
a trick of perspective it seems so close as to be almost within arm’s reach and
all the most famous buildings are lined up in a neat row as if there were no
canals between them. Looking from left to right I can see the massive red bulk
of the Redentore church with its white-capped dome and towers on the Guidecca,
the upper storeys of the square facade and the red roof of the Ca Grande on the
Grand Canal, the leaning tower of Santo Stefano, the high green pyramid that is
the roof of the newly rebuilt Fenice theatre; then, in solitary splendour with
a ruff of trees hiding its lower reaches, the perfectly aligned and symmetrical
Palladian domes and towers of the Salute church; the campanile in San Marco,
surmounted by its golden angel, soars above the centre, dwarfing the domes of the basilica which, even at
this distance, strike an exotically eastern and foreign note in this extraordinary
cityscape; finally, rising as if out of the trees that fill the abandoned
island of La Grazia, I can see the dome and campanile of San Georgio and the
pinnacle of the campanile of San Francesco della Vigne.
At
this hour the water-taxis and Venetian boy-racers are not yet tearing across
the lagoon, sending plumes of water and the booming reverberations of engines
in their wake. The only sounds – for the moment – are the bells
calling people to mass, the piping of oyster-catchers and the occasional smack
of a leaping fish returning to the water. It is, I now realise, low tide and an
elderly fisherman who has been toiling continuously out in the middle of the
lagoon has rowed over to within just a few feet of where I am sitting. Like all
Venetians, he rows his wooden boat standing upright, with his hands crossed and
pushing the oars forwards, a method which seems bizarre to English eyes but is
efficiently fast and has the advantage of allowing him to see where he is
going. He is so intent on his task that he completely ignores my presence,
putting down his oars to drift with the tide and pulling out his net, which he carries
carefully folded into a bucket, he drops it length by length into the water.
When he reaches the end, some twenty or thirty yards away, he rows back to the
beginning and then, to my surprise, allows the boat to drift back again while
he uses the flat of his oar to strike the water, splashing noisily to drive the
fish into his net. He’s successful too. Though I don’t like to stare (and am
assiduously doing my counted-cross-stitch as a cover for my snooping) I can see
that he has pulled in at least eight decent sized fish just in the short
stretch of water in front of me. As I watch him take up his oars once more and
row off into another part of the lagoon to begin his task again – never
once having acknowledged my presence any more than I have his – I feel as
though I have witnessed a ritual which has likewise refused to acknowledge the
advances of modern technology. My fisherman is a timeless figure. Had it not
been for his clothes, his plastic bucket and nylon net, I might easily have
mistaken him for a figure from a Canaletto or a Carpaccio. It is this blurring
of past and present which makes Venice such an evocative place for me. I first
came here as a student on a gap year over twenty years ago. I fell under its
spell then and I remain in its thrall today."
................................................................................................................................................................................................
Saturday 8th August 2009:
"
I have always been an early riser but for
the last few months I’ve been getting up between 4 and 5am to work a fifteen to
twenty hour day in order to hit the deadline for delivering the manuscript of
the American edition of my latest book Conquest.
I succeeded with a week or so to spare but since then I’ve been busy with the
copy edit and proofs of the UK edition, so I’ve been finding it hard to break
the habit of getting up early. Seven am therefore found me sitting on the
terrace in front of our house being reminded why this is usually my favourite
part of the day. I’ve already done all the household tasks – let out and
fed the four chickens (named by my daughter Artemis Fowl, Buffy the Worm
Slayer, Princess Leia and Peccadillo), made bread, put a wash on and all the
other boring but necessary chores – and now I’m enjoying the luxury of
drinking coffee and eating incomparable English plums in the pleasant warmth of
a perfect summer day. Above the trees I can see the heather just beginning to
turn purple on the hills and a great arc of cloudless blue sky. I can hear the
beck running in the valley bottom, the clock on the church tower striking the
hour and the bees humming among the flowers in the borders. Already I can catch
the scent of roses: by mid morning, when the sun will be too strong for me and
I will have retreated into the shadows, the air will be heavy with their
perfume. For the first time in over a year I have no pressing deadline to meet
and no books I have to read for my work so I intend to enjoy the rare treat of
reading a novel."

